Portal de Murcia
www.portaldemurcia.com
Although the sky threatened rain from early afternoon, nothing prevented more than a hundred people queued in the auditorium hiciesen shopping center Thader, an hour before the official opening of doors.
The threat of rain prevented many boys not preventing their August, never better, selling free invitations that the organization gives to various companies.
Commonplace and inevitable otherwise.
Almost the first chords of guitar and bass uncontrolled ball thrown from the hype of the opening acts Lazarus, the site began filling, reaching a total of about 1500 people, who religiously we gather to see the exact words of a teenage girl excitedly running toward the stage, the "God argento."
And this is one of the virtues of Andres Calamaro.
The extent of the age range of the audience may well be about 30 years.
Quinceañeras and forties in unison, chanting the frustrations, aspirations and experiences of the Argentine, one day before, celebrating 47 summers, most of them on stage.
"The Salmon" (Salmon, 2001) opened the night with a devoted audience from beginning to end, they chanted the intro of the second theme of the setlist "Kids" (the vernacular, 2007), a song that opens the new delivery record of Buenos Aires.
So the night looked good, good live music, moderately priced alcohol and youth (divine treasure) who sang each of the small beads that Andrew sang and danced (to Mick Jagger) from the stage.
"Pearls of the new album?
The rigor, "My gin and tonic," "The foam on the banks" "Five more minutes (mini)" Carnival in Brazil. "
And although throughout the show the most beautiful place called Desperate Half of love, "Calamaro would not provide it.
In return he gave us some of the classics of Los Rodriguez: "Still a Love Song" and "the eyes", to the delight of those present.
"That leaves Ariel!" Screamed the back some nostalgia.
At that stage the concert and no one can remember the rain, the 26 eurazos paid at the box office.
In the center of the stage, Andrew fought with his telecaster and wiggled her hips with mild shaking stonianas, while the hits fell one by one.
"High dirt," "I burn", "The World Women's Day" and several classic tangos in the middle of the show which the audience applauded satisfied.
After a rock version of "Elvis is alive" and a pit stop to refuel (would it kill you?), The Buenos Aires said goodbye to the audience, who sang "Happy Birthday" without this barely notice.
Specifically "Flaca" closed the show, and after several minutes of uninterrupted applause of the public, organized, began to leave the premises.
In the middle tier one girl's arm pulling her boyfriend, who had nailed the look yet at the stage.
She hurried out of there and avoid the likely output queues, but the kid just listened.
Just looking at the front, and hurried his beer while he repeated over and over again:
"You know honey?, I believe that God was born in Buenos Aires."
Francisco García Martínez
Source: Redacción
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